1984 - THE GRAPHIC NOVEL

TITLE - 1984 - THE GRAPHIC NOVEL 

ADAPTED & ILLUSTRATED BY -  MATYAS NAMAI

PUBLISHED BY - PALZZO EDITIONS 

PUBLICATION DATE - 4TH NOVEMBER, 2021 

 Any new adaptation of “Nineteen Eighty-Four” is to be welcomed, and Matyas Namai’s graphic novel, rechristened “1984”, is a glorious addition to English literature’s dystopian library. It’s obvious from the lavish production values of this volume that this is a major adaptation of George Orwell’s timeless classic. 

Like most people I know the story well, so there’s no need to recap it here. Originally a commentary on Stalinism, it has become an eternal warning against the horrors of totalitarianism. The omnipresent Big Brother resembles a faded 1930s matinee idol, with a touch of Oswald Mosley, which is appropriate, and Winston Smith is aptly depicted as a downtrodden slave of the system. With the art mostly in harsh monochrome, Julia’s red sash is a vivid splash of colour, and she is drawn as a loyal party member, but she softens later on whilst remaining a strong character. O’Brien, the main antagonist, for want of a better word, is perfectly rendered as a ruthless and barbaric Party member.

The lettering throughout is small and not as bold as is usually the case with comics; this story demands your close attention-this isn’t a Marvel comic to be read in five minutes and discarded. The speech-bubbles are often densely packed with words, necessary to properly convey Orwell’s work. The script is rigorously faithful to the source material, even including prose extracts from Emmanuel Goldstein’s forbidden book.  

Namai’s art throughout is emotive and effective, spare and economical; reminiscent of the best artists of 70s. The panels depicting Winston Smith’s world are dark, cramped and dirty, while the scenes of Winston & Julia’s furtive trysts in the outside world are wildly free and refreshing. Later scenes of interrogation are forensically brutal and utterly haunting. And beyond all that is Room 101…

The book is rounded off with galleries, original character sketches, rough drafts of the excellent propaganda posters used throughout, etc. The amount of work that went into this graphic novel is staggering. 

Matyas Namai’s adaptation both respects and maybe even improves on Orwell’s original story. It brings “1984” to visceral, vivid life, kicking and screaming, and is doubleplusgood.

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PETROGRAD

TITLE - PETROGRAD

WRITTEN BY - PHILIP GELATT

ART BY - TYLER CROOK 

PUBLISHED BY - ONI PRESS

PUBLICATION DATE - 11TH JANUARY, 2022

In 1916, in the midst of the First World War, the Russian city of Petrograd stands on the brink of revolution while Russia secretly attempts to broker peace with Germany. One of the most incendiary people in this powderkeg is alleged holy man Rasputin, the “mad monk”, trusted advisor to the Tsarina, and, as the official history dubs him, Russia’s greatest love-machine. Already the subject of gossip in the trenches and city streets, the Tsarina puts more and more faith in Rasputin’s advice. Eventually outstaying his welcome, the major players of the day plot to dispose of him in one of the most “extra” assassinations in history. “Petrograd” is the story of how a British intelligence agent gets caught up in these turbulent events. 

Tyler Crook’s artwork in “Petrograd” is quite stunning. It appears simplistic at first glance, but on closer inspection it blows you away. Some panels are filled with quiet emotion and depth, while others burst with kinetic action. Each one almost tells a story in its own right. The shape and positioning of the frames on each page is a masterclass in visual storytelling. The horrors of the Western Front and the faded grandeur of the streets of Petrograd and its people are vividly and memorably rendered. 

Philip Gelatt’s story is concise, tight and unflinchingly brutal when it needs to be. The shadow of Rasputin falls on every page even when he isn’t present. A story about secrets and conspiracies, it is a perfectly paced tale that leads up to the kinetic and brutal scenes of the assassination itself. The messy aftermath, which leads to full blown revolution in Russia, is powerfully intense. The characters are all well-rounded with believable motivations and distinct voices, from the conflicted Cleary to the hedonistic Rasputin himself. 

Presented here in a new edition, ten or so years after the original release, “Petrograd” is easily one of the best, most compelling historical graphic novels I have ever read and it comes highly recommended. 

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