THE INVISIBLE WORLD IS IN DECLINE: BOOK IX

TITLE - THE INVISIBLE WORLD IS IN DECLINE: BOOK IX

WRITTEN BY - BRUCE WHITEMAN 

PUBLISHED BY - ECW PRESS 

PUBLICATION DATE - APRIL 12TH, 2022

Being the culmination of an ongoing, 40-year “long poem” that I am ashamed to admit I am unfamiliar with, “The Invisible World is in Decline: Book IX” by Bruce Whiteman brings the project to a stunning climax in three distinct parts. 

Less like poems than isolated paragraphs, or at times just single lines, “In Disgrace With God” explores lost love, and finds the poet seeing his empty bed as an accusatory constant in his life. Later the text touches on the purpose of a poet and of poetry, namely to be the “suffering artist”. There is pain and beauty here in equal measure.

The second piece is entitled “Wörte ohne Lieder”, literally “songs without words” (a twist on Mendelssohn's “Lied ohne Worte” collection of piano pieces), Bruce Whiteman proffers translations of texts that were set to music over the years; the works of Mahler and Beethoven becoming vaguely modern, pain-filled love letters.

Centrepiece of the collection is “The Nine”, with each numbered section named after the nine Muses. This work is quite wonderful and ostensibly each section corresponds with each Muse’s specific field of expertise. With interjections from the psychopomp, (a guide for souls travelling to the afterlife in Greek mythology, here becoming, according to Whiteman, the master of dreams) it is probably the best literary examination of the pandemic I have ever read. Whiteman utterly nails the isolation and boredom of lockdown-life; reading it left me aching more than my arm after the vaccine. He takes us on a visceral journey through nature as season inexorably follows season, and we get a strong sense throughout of the crushing weight of time and the endless days of nothingness during quarantine. 

Fragile yet occasionally brutal, this collection is sublime. It made a strong impression on me on my first reading, which is a good indication of the quality of the work, and I now feel compelled to explore the previous parts.